The Pathos of the Peacock
It is safe to say, that when art and human rights are synthesized, the outcome can have a certain devastating effect. When Picasso revealed his Guernica painting to the Paris Worlds Fair in 1937 it struck like a cudgel to the minds of a people on a continent that had only felt the breath of the Nazi political machine. Guernica was a sinister foreshadowing, the end signal of the old world as we (collectively speaking) new it. A copy of Picasso’s cubist holocaust hangs at the entrance to the UN Security Council chamber, a looming reminder of that body’s purpose.